ITTERS 2001

June - July 2001: Venice, Ravenna, Florence, Siena & Rome

Me, James, Claire, Philip, Jen, Bel

Aah, Itters. After finishing our first year, what better way to broaden our minds than to go on a latter-day Grand Tour?! The art was pretty good, the vino rosso delectable.

 

James trying to navigate around Venice bus station with a compass. Hmm. Claire and Ben pay homage to Philip by closing their eyes in a photo. He's got his open. Typical.
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A canal. A little bit like Staffordshire, really. Down dodgy Venetian alleys, dodgy people do lurk ...
"Is that a Confraternity, Philip, or are you just pleased to see me?" The Brindley Place of Venice.
James and Claire pose with their 14 year old son who thinks he's Richard Ashcroft. Oh, shit, no, it's me ... I've no idea who these blokes are. If one of them is you, it'd be great to hear from you. Bridge of Sighs behind (!)
The Piazza San Marco, filled with tourist throngs and DAMN expensive coffee. In front of the Basilica. Venice's mighty phallic symbols are visible. No, I don't mean James and Philip.
There are nearly as many pigeons as tourists in Venice, providing ready meals for economising students. The Piazza San Marco from atop the Basilica.
Another view from the Basilica, this time with the Doge-y Palace on the left. And those phalluses. Ours is the Grand Union, theirs is just, well, Grand ...
... as are the vehicles that ply it. Not a gaudy coal-scuttle in sight! John Ruskin incarnate. Philip wields the Stones of Venice on the way to Torcello.
It was a scorching day at beautiful Torcello, a 1500 year old Byzantine complex. Attila the Hun's old throne is parked outside. Inside the Doge-y Palace. It looks a little bit like a wedding cake. I think Philip should be made Doge one day.
This San Marco café had quite an, um, interesting musical combo to entertain its clients. That bloke at the front looks scintillated... The view from the top of the Torcello campanile, across the stunningly expansive lagoon of Venezia.
The future Doge pronounces to his subjects, who cannot gaze upon his hat-blessed form for all its awe and majesty. And again. Here, in fact, he was reminding us of his stage triumph as Moliere's Misanthrope.
It's all too much for poor Bel, whose right foot, no doubt, has just fallen off. Again. Now that's a canal with character. The more pungently viscous and the less visited and salubrious, the better!
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© Ben James 2003